Autumn Nanga Landscape by Takamori Saigan (1847–1917)
This atmospheric autumn landscape by Takamori Saigan (1847–1917), unfolds through delicate ink work and restrained colour. Russet trees occupy the foreground, w
This atmospheric autumn landscape by Takamori Saigan (1847–1917), unfolds through delicate ink work and restrained colour. Russet trees occupy the foreground, w
This large serving tray by Ōhi Chōzaemon XI (Toshio) brings together the rich glaze tradition of Ōhi ware and a distinctly contemporary sculptural form. Its bro
Here we see an elegant Japanese flower basket woven from richly patinated susudake, or soot-darkened bamboo. Its softly rounded body combines areas of delicate
An especially elegant late Edo-period lacquer takatsuki, or raised serving stand, supported upon three dramatically curved feet. Against the deep, highly polish
Here we see a quietly beautiful Korean tea bowl with a rounded, gently tapering form and a tall, dramatically notched foot. A translucent blue-grey glaze covers
This Meiji-period hanging scroll has that lovely quiet confidence you see in literati-style kachōga (seasonal nature motifs) of the era: elegant, unforced, and
A stunning pair of Wajima-nuri lacquer lidded bowls; each formed with a compact rounded body and fitted cover and with a surface finished in a deep, contemplati
A rare and interesting offering, here we have an exquisite celadon phoenix vase with Chinese form and patterning. First generation Sozan gained wide acclaim in
Third son of the director of the Kano School of painting, Yasunobu was appointed head of the Kyoto branch at a young age after his father’s death. Meanwhile, hi
The style of this vase, known in Japanese as karakane (“kara” meaning Chinese and “kane” meaning copper), has been carried on by Japanese craftsmen since its th
If you are familiar with the work of Hiramatsu Ryoma you know that he creates very unconventional ceramics inspired by forms found in nature. Here we have a sak
Seated in meditation with open and compassionate heart, this bodhisattva is on a spiritual journey, postponing his own salvation in order to remain on earth to
From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of
Over 400 years ago the first Takatori potter known as “Hachizan” was brought to Japan by the powerful Kuroda clan and was tasked with establishing a kiln in the
This masterful rendition of an idilic landscape done in the Nanga style of Chinese painting is spread across three canvases titled 1) “Arashiyama” (A district n
A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating
A masterpiece by one of the premier Literati painters from the Edo period. Born into a wealthy samurai family, At a young age, Bunchō was given a stipend that e
Master of a very difficult technique from the Chinese Tang Dynasty (618 – 907) known in Japanese as Neriage, the potter who created this elegant vase uses extre
Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imp
Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze is
Hirado-ware, this intricately crafted incense burner in the shape of a lantern features two intertwined dragons dancing around the base. Various parts of the la
Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed
Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of the